On Your Own – Blur

This one might have been one of the most successful transitions in regards of a successful set of new features being grafted to an already huge, already cool, already universally acclaimed band going 8008LE55 or whatever I was calling it at the start of the week.

Blur genuinely did always have a dance element to their music. You’ve only got to hear their early single There’s No Other Way to hear one of the biggest Indie floor fillers of all time. They flirted with remixes and stuff before they were a household name and then spent their biggest period eschewing all of that progressiveness for a fun pastiche look at Englishness that took in The Jam, Ian Dury and The Kinks. It was a complete riot, but it was also kind of limited. The mock cockney knees up of Parklife and Stereotypes was turning the band into just that. Stereotype cheeky chappies who could follow in Madness’ Dr. Martens clad footsteps if they played their cards right after Britpop was over and find a nice little earner of a life on the cabaret circuit.

There was always more promise than that in Blur. So album number five pushed the envelope. They ditched the Lock Stock stuff and remembered that they’d all been to art college. Blur the self-titled album which gave the world Beetlebum and the mega hit Song 2 also featured the brilliantly disruptive On Your Own.

“Holy man tiptoed his way across the Ganges the sound of magic music in his ears, shiny shell suits on, and drinking lemonade

The stuttering broken riffs and faulty downloaded percussion breaks punctuate the US College rock melody to make it sound more like modern UK Grime or obscure European Techno than Indie Pop. And the lyrics look like something google translate has struggled with from English to Chinese and back to English

“Now, I’ve got a funny feeling which I bought mail order from a man in a tee-pee in California he said he once was that great game show performer”

Lyrically it becomes a weird call and response Chinese whisper going around the band. Each one calling out the… Can we call it a chorus? Calling out the phrases at differing speeds and cadences.

“So take me home, don’t leave me alone I’m not that good, but I’m not that bad, No psycho killer, hooligan guerilla I dream to riot, oh you should try it”

Albarn all but raps some of his vocals, but not in a flowing swagger. He hollers in his broadest Estuary Twang

“Well, we all go happy day-glo in the discos the sound of magic music in our brains, someone stumbles to the bathroom with the horrors says ‘Lord, give me time, for I’ve jumped into space’ jumped into space”

Just as the cut and splice studio trickery is messing with the music, Damon is messing with the importance of syllables in words like “Hooligan” and “gorilla” as he spits his bars his way.

This was indie rock as high art. Held in the same regard as The Fall, Pavement and Massive Attack all at the same time. Blur were never the cheeky cartoon band again. Damon had to form Gorillaz to scratch that itch.

8 thoughts on “On Your Own – Blur

  1. Great pick. That self-titled album is the first one I liked… first time I could really see the appeal. This is easily one of the best tunes on the album…

    Liked by 1 person

    1. It’s a proper ear worm. I loved Blur from the first time I heard There’s No Other Way but they wowed me with the Self titled album. Really knocked it out of the park. No one would have blamed them if they’d stuck with the Britpop sound of ParkLife and The Great Escape but they raised their game and indies game

      Liked by 1 person

      1. My brother was the fan, and while I liked the odd track, I really caught onto the self-titled one. It was just a bit more interesting to me. Musically there was all sorts of nice textures and suchlike to dig into. Similarly, I dig Think Tank, too. Those are probably my two favourite Blur albums.

        Liked by 1 person

  2. Top track, off a beautifully unexpected album – at the time. I was a big fan of Oasis, Pulp, The Bluetones, Supergrass and Blur in that era and while Roll With It dragged me over to Oasis during the Country House ‘moment’, this album really stood out. It also became the moment where I looked at a lot of music differently, especially the so-called lo-fi American indie in the veins of Pavement.

    Great words, interesting stuff.

    Liked by 1 person

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