Plinky plinky plink plunk! Plinky plinky plink plunk!
That’s it. That’s the intro to my favourite Sonic Youth single laid out in phonetic and forensic onomatopoeic detail.
If you’ve ever heard it you know exactly what I’m talking about. If you haven’t I can explain further or you can skip to the link at the bottom of the page…
Still here? Right. Who can play guitar? OK. I’m not talking to you directly just yet.
Who has a guitar and can’t play it? That’s more like it. You ma peeps.
Who remembers the first time they played with a guitar? How am I expecting anyone to answer when I’m typing into my laptop and haven’t published this thing yet? Mother? Is that you Mother?
When I first got a hold of a guitar I did not know what to do with it (not a lot has changed there). I explored the strings. The pickups the various knobs that didn’t seem to do much and the one that controlled the volume.
I plugged that cheap arsed SG copy into the little practice amp and picked away at the strings. The thing that truly vexed me was, why didn’t it sound like an electric guitar? It didn’t clang, it squeaked. It didn’t Naww, it pipped.
I’d never heard of effects pedals as I worked my way around the curves and frets of a Kay Guitars cast off from some kid at school. I found that little bridge of taught metal strings between the headstock and the fret board. They made the tiniest high pitched notes. They were off the playing part of the guitar and they were like some tense little brittle ukelele.
THAT bit of the guitar is what the intro to Bull In The Heather sounds like. Then Kim Gordon starts counting off some sort of stoner girl nursery rhyme which gets more and more tense and paniced as the build up grows.
“Ten, twenty, thirty, forty, tell me that you want to hold me, tell me that you want to bore me, tell me that you gotta show me, tell me that you need to slowly”
Sonic Youth were coming out of a commerical high after the album Dirty and into the Experimental Jet Set era. This could have been their reputation cementing massive indie cross over hit.
And they put out a single that sounded like the first fumblings with an instrument. It’s all scraping on strings and buzzing connections. They didn’t even play on the playable parts of the guitar.
In conclusion;
Sonic Youth are bloody Brilliant.
Very good and very sustainable.
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Very intriguing.
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Love it. Kathleen Hana really sends herself up in the video, too.
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This video is one of the coolest things to come out of the 90’s
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How good is Kim Gordon. Living rock goddess and a damn good bassist!
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She’s the coolest. Her book is a great read
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I almost hate to admit this but Sonic Youth is one of those bands into whom I’ve never been able to get. I’ve tried. Lord, I’ve tried. However, this is one of the small handful of songs that I love and one of the reasons I continue to try with this band.
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I can understand that though. I have stacks of Youth records as I find some of their music impenetrable and some of it utterly beguiling. That’s their mercurial charm. They REALLY DO experiment. A lot
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