Perhaps the most featured artist on all of SFTD is back to his raging best on his 2024 single No Thank You For The Music
Spitting distain and laying out a manifesto of enthusiasm over cynicism Frank Turner’s raging about something I keep seeing brought up more and more often
“I don’t want to be in any gang that you’re in, I refuse to take part in Gatekeeping peoples art”
What is gatekeeping? The logical conclusion of influencer culture? If there are people who add no value but define value, then there is clearly an opposite. Input, process, output. That bit that is processed gets changed. For better or for worse.
Frank’s having none of it.
There always were gatekeepers of course. If you grew up in the Heavy Metal scene of the 1980’s it was full of them. This band is real metal that band is false metal. Black metal is more metal than death metal. It’s very silly stuff.
“Name three songs” the middle aged man shouts at the teen girl in the rock band T-shirt. Leave it out Grandad you have no business talking to these kids.
Star Wars has it. In the first days of the internet it was populated solely by scientists and Star Wars fans. All arguing about which bits of the things they love were shittiest. I see it in fandoms a lot. It’s usually boiled down to bored lonely males getting protective and then offensive because they’re hyper focused on small things.
Gatekeepers suck. Gateways rock.
“Bees shouldn’t waste their time telling flies that honey tastes better than shit”
Well alright
Cool song, and Amen. Question: how did Taylor Swift become a billionaire? I can’t even say I’ve heard one of her songs.
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Is she a Billionaire? Wow! Is she the only popular musician who is one? Or the only contemporary popular musician? I know lots of her songs but I believe her ubiquity is wholly American. She’s famous here but nothing like the only game in town. Some parts of the pop culture media seem to have given up on reporting anything but Taylor Swift news. They’ve sort of done to her what they did with Michael Jackson in the 80’s. There is her and everybody else
She’s good. At pop and country and alt folk (I have a couple of her records myself) but not more so than EVERYONE else.
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I only know this bit of “trivia” if you can call being a billionaire trivial, because Colbert mentioned it one night. Tay Tay, as he (and probably others?) calls her is frequently mentioned along with her football player boyfriend (forgot his name.) It truly is ridiculous to me. She’s a very wealthy flavor of the month. If Tay Tay is getting that much her handlers are getting so much more. Sorry, Steve, I can’t listen to anyone that popular, just like Frank says.
link about her $$$
https://www.forbes.com/profile/taylor-swift/?sh=51d1f7f818e2
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I like a bit of the Swift as well, have done on/off since that 1989 album, but you’re spot on with the MJ comparisons, it’s quite the rage. Your link reminded me of this article, apologies for jumping in on other replies, but I was entertained by this one:
https://uproxx.com/pop/taylor-swift-culture-2024-more-normal/
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No apologies needed Dan. That’s what comments are for. That’s a great article. Funny and well written. Media is weird
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I just discovered Frank, thanks to his work with Arkells. Will be checking this out.
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Check out the SFTD Quite Frank page for more Turner/Carter/Zappa/Black goodness
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Like this song.
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Frank was one of my first ‘interviews/chats/email exchange’ when I was in Belfast for a bit in what could be nearly 20 years ago already. Jeeezus.
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Yikes
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